Album
2013 · English Album · Jordi Savall
Music: Folias (Imperfectas) [Harp] – 1 minutes 44 seconds – Alia Vox – 49 plays
Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience" – 2 minutes 14 seconds – Alia Vox – 18 plays
La Folia: "Yo Soy La Locura" – 2 minutes 10 seconds – Alia Vox – 15 plays
Narration III (2): "On How Folly Is Prompted to Sing her Own Praises" / Music: Passamezzo Antico – 0 minutes 49 seconds – Alia Vox – 15 plays
Narration VII (3): Folly’s Origins – 2 minutes 11 seconds – Alia Vox – 10 plays
Recercada quarta sobre la Folia – 1 minutes 28 seconds – Alia Vox – 9 plays
Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp) – 1 minutes 38 seconds – Alia Vox – 5 plays
Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.) – 1 minutes 21 seconds – Alia Vox – 3 plays
La Gamba In Basso, E Soprano (1564) – 1 minutes 56 seconds – Alia Vox – 14 plays
Narration X (6): "Folly’s Claims to be Admitted to the Council of the Goddesses / Music: Romanesca – 0 minutes 52 seconds – Alia Vox – 7 plays
Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12) – 3 minutes 09 seconds – Alia Vox – 9 plays
Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12) – 1 minutes 41 seconds – Alia Vox – 3 plays
Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12) – 0 minutes 54 seconds – Alia Vox – 4 plays
Si habrá en este baldrés (C. M. Palacio No. 179) – 1 minutes 28 seconds – Alia Vox – 2 plays
Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp) – 1 minutes 55 seconds – Alia Vox – 8 plays
Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli] – 1 minutes 56 seconds – Alia Vox – 1 plays
Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121) – 1 minutes 43 seconds – Alia Vox – 3 plays
Narration XVI (11): "Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol) – 2 minutes 03 seconds – Alia Vox – 2 plays
Browning my Dear – 2 minutes 23 seconds – Alia Vox – 1 plays
Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation) – 1 minutes 22 seconds – Alia Vox – 9 plays
Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation) – 0 minutes 59 seconds – Alia Vox – 1 plays
Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94) – 0 minutes 55 seconds – Alia Vox – 1 plays
Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia) – 1 minutes 40 seconds – Alia Vox – 20 plays
Todos los buenos soldados (La Guerra) – 1 minutes 43 seconds – Alia Vox
Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia – 1 minutes 47 seconds – Alia Vox
Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation) – 2 minutes 03 seconds – Alia Vox
Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp) – 3 minutes 00 seconds – Alia Vox – 2 plays
Saltarello (Mss. Venezia) – 1 minutes 05 seconds – Alia Vox
Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation) – 3 minutes 42 seconds – Alia Vox – 4 plays
Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa – 2 minutes 06 seconds – Alia Vox – 11 plays
Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan) – 2 minutes 09 seconds – Alia Vox – 4 plays
La Spagna (XVth Century) – 1 minutes 37 seconds – Alia Vox
Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca) – 3 minutes 47 seconds – Alia Vox – 1 plays
Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26) – 4 minutes 55 seconds – Alia Vox – 1 plays
Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2) – 3 minutes 14 seconds – Alia Vox – 18 plays
Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434) – 2 minutes 28 seconds – Alia Vox – 2 plays
Diferencias Sobre ‘Las Vacas’ (Harp) – 2 minutes 34 seconds – Alia Vox
Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp) – 1 minutes 27 seconds – Alia Vox
Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174) – 2 minutes 28 seconds – Alia Vox – 2 plays
Makam “Muhayyer pesrev” (Ottoman War March) [15th Century] – 3 minutes 28 seconds – Alia Vox – 67 plays
Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur) – 1 minutes 41 seconds – Alia Vox – 14 plays
Saltarello: Une musque de Buscaye (Instrumental) – 2 minutes 57 seconds – Alia Vox – 15 plays
A Florence la joyose cité (C. M. Montecassino No. 6) – 2 minutes 00 seconds – Alia Vox – 14 plays
Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata – 1 minutes 43 seconds – Alia Vox – 16 plays
Audi, benigne Conditor (C. M. Montecassino No. 40) – 3 minutes 47 seconds – Alia Vox – 10 plays
Taskim & Dance (Ottoman) – 2 minutes 56 seconds – Alia Vox – 6 plays
Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic) – 1 minutes 52 seconds – Alia Vox – 8 plays
Lavava y suspirava (Anonymous Sephardic) – 5 minutes 24 seconds – Alia Vox – 6 plays
Malor me bat (Odhecaton, No. 63) – 4 minutes 21 seconds – Alia Vox – 13 plays
Benedic anima mea (Ps. 103, 1-3) – 3 minutes 11 seconds – Alia Vox – 8 plays
Narration 4: "Epitaph for the Peerless Musician Johannes Ockeghem" / Music: Fortune par ta cruaulté – 2 minutes 04 seconds – Alia Vox – 8 plays
La déploration sur la mort de Johannes Ockeghem – 3 minutes 54 seconds – Alia Vox – 2 plays
“Latura tu” (Instrumental) [Odhecaton No. 94] – 2 minutes 22 seconds – Alia Vox – 25 plays
Narration 5: "Panegyric to Philip the Fair" (1504) / Music: Adieu mes amours (Improvisation Harp) – 1 minutes 33 seconds – Alia Vox – 1 plays
Hélas madame, passamezzo (Henry VIII mss.10) – 2 minutes 28 seconds – Alia Vox – 1 plays
Narration 6, Adage 3415: "Love Makes Men Musicians" / Music: De tous biens plaine (C. M. Montecassino No. 85) – 2 minutes 35 seconds – Alia Vox – 1 plays
Frottola: In te Domine speravi (C. M. Palacio No. 84) – 3 minutes 51 seconds – Alia Vox – 2 plays
Narration 7: "Enchiridion. The Importance of the Classics" / Music: Ave maris stella (C. M. Montecassino No. 76) [Harp] – 1 minutes 44 seconds – Alia Vox – 2 plays
Puzzle-Canon II (Henry VIII mss.) – 1 minutes 39 seconds – Alia Vox
Scaramella va alla guerra – 1 minutes 56 seconds – Alia Vox
Narration 8, Adage 3001: "War Is Sweet to Those Who Have Not Experienced It" / Music: Fanfares & Tambours Vexilla Regis (C. M. Montecassino No. 106) – 7 minutes 21 seconds – Alia Vox – 3 plays
Danza Alta (Instrumental) [C. M. Palacio No. 321] – 2 minutes 03 seconds – Alia Vox – 2 plays
Narration 9: "Erasmus of Rotterdam to his Dear Friend Thomas More on the Publication of Praise of Folly" – 2 minutes 23 seconds – Alia Vox
Home Again, Market Is Done (Margaret Board Lute Book) – 1 minutes 54 seconds – Alia Vox – 1 plays
Paduana del Re (Mss. Venezia) – 2 minutes 59 seconds – Alia Vox – 265 plays
Narration 10: "Machiavelli’s The Prince" / Music: Gallarda di Venosa (Harp) – 2 minutes 01 seconds – Alia Vox – 8 plays
La Spagna, à 5 – 3 minutes 07 seconds – Alia Vox – 13 plays
Narration 11: "Erasmus. Education of the Christian Prince" (1516) / Music: imno XVI (Instrumental) – 2 minutes 13 seconds – Alia Vox – 12 plays
Music: Taksim & Makam «Rast Murass’a» (mss. Cantemir No. 214) – 7 minutes 19 seconds – Alia Vox – 7 plays
Narration 12: "Thomas More’s Utopia: On Justice and Social Prosperity" / Music: Puzzle-canon I – 2 minutes 09 seconds – Alia Vox – 6 plays
Adoramus te Domine (Montecassino mss. No. 4) – 1 minutes 20 seconds – Alia Vox – 8 plays
Narration 13: "Erasmus. The Complaint of Peace" / Music: Mille regrets (Viols) – 2 minutes 41 seconds – Alia Vox – 8 plays
Balad: Ya es Tiempo de Recoger – 4 minutes 38 seconds – Alia Vox – 5 plays
Narration 14: "Letter from Martin Luther to Erasmus (28th March 1519)" / Music: Psalm: A solis ortus cardine (Organ) – 1 minutes 50 seconds – Alia Vox – 6 plays
Benedictus a 3 – 2 minutes 28 seconds – Alia Vox – 4 plays
Narration 15: "Letter from Erasmus of Rotterdam to Martin Luther (30th May 1519)" / Music: In Nomine a 5 – 2 minutes 23 seconds – Alia Vox – 3 plays
Vingtcinquiesme Fantasie. A Quatre – 1 minutes 46 seconds – Alia Vox – 1 plays
Narration 16: "Letter from Martin Luther to Erasmus (15 April 1524)" / Music: Psalm: Christ ist Erstanden (Organ) – 2 minutes 19 seconds – Alia Vox – 1 plays
Narration 17: "Erasmus of Rotterdam to Luther - On Free Will" (1524) / Music: In Nomine a 5 Free from All – 2 minutes 17 seconds – Alia Vox – 2 plays
Pavane “La Bataille” (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540) – 2 minutes 05 seconds – Alia Vox – 6 plays
Narration 18: "Letter from Erasmus of Rotterdam to King Francis I of France" (16th June 1526) / Music: Pavane 14 (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540) – 1 minutes 45 seconds – Alia Vox – 2 plays
Gazel (Ottoman Song) – 3 minutes 57 seconds – Alia Vox – 9 plays
Tu pauperum refugium – 3 minutes 06 seconds – Alia Vox – 1 plays
Narration 19: "Martin Luther to Erasmus, The Bondage of the Will" / Music: Psalm: Christ lag in Todes (Published by Martin Luther in 1533) – 2 minutes 11 seconds – Alia Vox
Christ ist Erstanden à 6 – 3 minutes 18 seconds – Alia Vox – 1 plays
Narration 20, Adage 2100: "Words Are the Physicians of Ailing Souls" / Music: Now o Now – 3 minutes 42 seconds – Alia Vox – 1 plays
In Nomine a 5 My Death – 2 minutes 25 seconds – Alia Vox
Pie Jesu (Requiem) – 1 minutes 38 seconds – Alia Vox – 2 plays
Narration 21: "Erasmus Dies at Basel" (Stefan Zweig, 1934) – 1 minutes 32 seconds – Alia Vox
Plangite Pierides (Lament on the Death of Erasmus) – 3 minutes 52 seconds – Alia Vox
Narration 22: "Erasmus’s Spiritual Legacy" (Stefan Zweig) / Music: Durezze e ligature (Instrumental) – 3 minutes 01 seconds – Alia Vox – 8 plays
